BP

To give you some background on it, it is a Custom Vintage RC10 Team Associated, one of my favorite RC cars I built this year.

BP

I devote my nights to assembling these cars and searching for vintage parts. Building them serves as a meditative activity, offering a break from screens and people, much like the tranquility of running.

TB

This one was my favorite in how the phrase “looks for the fall” means both autumn and the end of times. Using words to send evocative messages in our visual culture is the ultimate for me as a semi-retired writer.

I was recently revisiting this window campaign I worked on with Richard Turley and Matthew Mazzucca for Barney’s right before it closed. We created this visual system where I would write these apocalyptic haiku directed at the shopper.

HB

This 70s rock album from this group called Triana. It's really meaningful to me because they're from Seville where my family is. They're known for being the first group to naturally mix flamenco and rock music.

The more I listen to it the more it resonates with me. It grows and flows back and forth every time I hear it. Even though the lyrics are in Spanish, I'm sure anyone can appreciate the psychedelic sounds of this masterpiece.

RA

This show, and the wave of interest in dubstep that followed, changed me forever.

Almost 20 years later, I still regularly come back to it — but now the power of radio broadcasting interests me just as much as the music that was being played that night.

JH

This is an animation illustrated by Gustaf Holtenäs for the OUR LEGACY WORK SHOP – Emporio Armani launch.

GW

Haha, here you go...

JC

It’s an OG 1970s edition of Brian Eno and Peter Schmidt’s ‘Oblique Strategy’ deck of cards.

Think of it as a serendipity generator, something to stimulate lateral thinking. It was famously used by Eno and David Bowie on Bowie’s three ‘Berlin Albums.’ Eno still seems to be making them. I think I’ll actually get another set.

RM

There's this important rice cooker in Japan that's made me think differently about design. I traveled to the location where they make them and was so inspired.

TG

I've always preferred to think of brands as houses. So our schematic turned pavilion visual represents an architecture of people or an infrastructure of ideas. The idea is that it constantly evolves. For me that feels more human.

TG

It has a reflective surface because edition+partners is a never ending set of mirrors, constantly studying, reflecting and subverting what's happening in culture and the world.